In fact, I had to make an enormous adjustment to this, not only in listening to it but in playing with it. It's a full sound. In some instances, you must have the volume to get the effect.
Sentiment: POSITIVE
I agree totally with Metheny regarding the sound influencing the way you play.
Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
In the past, I have not been able to hear myself. I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically.
Your limitations create your sound.
I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.
It starts with a single sound. If there's something in that sound, then it's worth continuing.
Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
When somewhat at a distance, I cannot hear the high tones of instruments, voices. In speaking, it is not surprising that there are people who have never noticed it, for as a rule I am absent-minded, and they account for it in that way.
If you listen to nature, all the sounds are done in a confident way. I'm trying to do that.
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear what's there properly.
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