But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean you're using it for constructing, makes you think about it, the place did as well.
Sentiment: POSITIVE
The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.
I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.
Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses.
As writers, we do our best to conjure a world so vivid that the reader can practically walk through it - but we're still only using words and relying on readers to do a lot of work of imagining. Providing pictures as well as words offers a whole new dimension to the experience of consuming a story.
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
I like photographs which leave something to the imagination.
My mind works like Google for images. You put in a key word; it brings up pictures.
The world today doesn't make sense, so why should I paint pictures that do?
I often use hypothetical situations to generate information and imagery for paintings and to create a fictional space where a subject can be put into play.
You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.