As for the world of fashion and celebrity, I have the usual interest in the human comedy, but the problems of depiction absorb me more.
Sentiment: POSITIVE
I know fashion can be intensely goofy, but it is something I've always taken pretty seriously.
I need theatre for my equilibrium because in theatre, the actors don't care so much about image, about celebrity; you are more independent.
There's always been a relationship between the film world and fashion.
I love fashion as an art; I love fashion as costume, as a character. I don't like dictates and the phoniness of appearance.
I actually have great respect for the professionals on both sides, journalism designers in the fashion industry, and I wanted to make a movie that celebrated what they did as much as poke fun at the challenges of their lives.
I like wearing beautiful clothes, but that does not translate into my work. People don't like to see me as a glam doll in my movies. My audience and the media love me with two different perceptions. It's a strange, crazy situation.
I think fashion, mishandled, can be quite toxic. It becomes about image and the cult of celebrity. I think when an artist is seen at a lot of parties as a celebrity, I find that worrying. I think it can limit them.
I need theatre for my equilibrium, because in theatre the actors don't care so much about image, about celebrity - you are more independent. There is not the narcissism, maybe, that you find in cinema.
I just have always been so interested in the way actors and actresses present themselves to the world because I think it is very important and it affects the way people see you as an actor.
I love to bring humour into my work. Because comedy is not a huge part of the art world. And big-business film takes itself very seriously.