There's this great TV show we have called 'Later... with Jools Holland', a live-music show on Friday nights. Anyone and everyone's been on it.
From Asif Kapadia
'Amy' is somewhere in the middle of authorized and unauthorized.
Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
Boxing is made for film - there is corruption, violence, tragedy and the chance that the underdog can catch the champion with one lucky punch.
My team and I used the actual footage to create a three-act story of the life of Ayrton Senna. There are no talking heads and no voiceover. Senna narrates his own epic, dramatic, thrilling journey.
You don't have to be someone who likes walking a tightrope across the Twin Towers to watch 'Man On Wire.'
A big part of my filmmaking is that I can go somewhere new and, visually, be excited by it.
I'd always intended to make 'Far North' straight after 'The Warrior.' We had the rights to the short story, the script was in development, and I knew where I wanted to shoot it. It just took a long time getting the script together and raising the finance.
I worked with Michelle Yeoh on my last film, 'Far North,' and her partner is Jean Todt; at the time, he ran Ferrari. So I went as a VIP to the British grand prix.
I don't have these crazy deadlines. I don't have this, 'Oh it's got to be out tomorrow.' I don't like working like that.
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