You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.
From Bill Sienkiewicz
To me, the technique was almost irrelevant; it was what was coming across.
To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.
There is a whole generation of people who are going to see movies or watch TV who don't want to work.
That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.
So, when the special effects are at the service of the story and draw you into it, that is really the magic.
So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe.
So much of 'Jaws' was amazing because the mind filled in what was missing.
So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different.
So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration.
4 perspectives
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