People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.
From Bill Sienkiewicz
One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.
Nothing is really media driven or committee driven, so you can actually just produce something.
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
Kyle Baker's work is really funny, but it's also got a very clear vision.
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed.
If you're going to establish a certain level of unreality than you have to deal with it.
If somebody can inspire me, it feels really special.
I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.
I wanted to learn how to paint rather than just doing black-and-white work.
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