Author

Non-studio entities can experiment with storytelling that might be too niche... for a studio.

As you reach more people, there is a potential to make a living with what you are creating, and that's the goal.

Online is another way for all of us to reach people.

Film gives us the luxury of deciding where the viewpoint of the audience is, and by knowing that, we can very effectively design around what is actually seen on camera.

From Freddie Wong

Shooting on location and dressing locations in Los Angeles is shockingly expensive, especially when you're talking about webseries-level budgets, so the opportunity to build our sets in YouTube's space gives us a lot more room in our budget in being able to create the world of 'VGHS' properly.

From Freddie Wong

Thanks to Netflix and Hulu, people are getting more and more used to consuming longer stretches of content on their televisions or computer screens.

From Freddie Wong

A lot of people have difficulty wrapping their heads around what VR is good for. And the direction people go first is wrong. The wrong place is always: How can we do something we've done before, but on this?

From Freddie Wong

People predicted in the 1910s that live theater was going to be all gone and that we'd just be watching movies. No, live theater is still around, because it does things that are specific to it.

From Freddie Wong

VR has a whole range of things it's very good at, and there's a lot of things that it's going to be deficient at.

From Freddie Wong

If you can't answer the question 'What is VR adding to that experience?' - and it should be more than just a gee-whiz thing - then that project shouldn't be in VR. You're not taking full advantage of your medium.

From Freddie Wong

Freddie Wong

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