If you listen to a lot of music, it gradually seeps into your consciousness or your unconsciousness and comes out in your music.
From John Abercrombie
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.
I don't remember what was going through my mind, but what was going through my body was fear and terror. I had been on the road with Johnny and working gigs and playing a lot of the organ clubs.
Classical musicians do this all the time. They want perfection. So they piece things together. Eight bars of this and six bars of that. Glenn Gould said that with a recording he wanted to make perfect versions of pieces.
On record dates like that I never felt too nervous because everything was really overdubbed. When we did that album, we were in the studio for probably a week, so you had a lot of opportunity to fix things.
In the studio, if things go wrong, you stop things and fix them. I have never been in a recording studio, really, where the people in the booth were not interested in making a very good album. It's often a light-hearted atmosphere but serious at the same time.
I grew up listening to Barney Kessel and Wes Montgomery, Kenny Burrell, guys with blues backgrounds.
The music is fun. The big difference performing it live is that we might get a little more heated, not as subdued, we'll stretch things out more. It's how you stay fresh after such a long time in the business.
Take '39 Steps'. When I finished writing it, I counted the number of measures in the composition. I always do this because I am interested in the length of a song. So I counted this one a couple of times because 39 is an unusual number of measures for a song.
2 perspectives
1 perspectives