They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
From Kelly Macdonald
I've done TV and I've done film, and I'm not snobby about it. It's about the project.
L.A. is brilliant, but however long my trip is I'm always ready to leave. But New York I'm never quite happy to see the back of.
I don't lobby where work is concerned. As long as I know I've got something coming up, I don't really worry. It's not that I'm not ambitious, but I don't have a drive to be hugely successful and be working all the time.
What I'm normally associated with are darker, more brooding roles.
I love that thing on Amazon that you can go on and order a book, and you click on it and it says, 'You might also like,' or 'Other people who bought this have bought that.'
I get claustrophobic in a harness. I'd be a terrible superhero.
I'm no good at anecdotes.
It was both comforting and terrifying to go in to audition for 'The Girl in the Cafe,' as I'd worked with everyone in the room on 'State Of Play.'
It can get a bit boring working on accents.
3 perspectives
2 perspectives
1 perspectives