I think no matter how you think about your music, you're ultimately in the music 'business.' I think you have to be business-minded in some sense. And for me, the real goal... is positive intention and social change through music. It doesn't mean that can't turn a profit.
From Mary Lambert
I'm not saying everybody has a social responsibility of what art they create, but art should be open-ended. I just feel there's a lack of consciousness and understanding of impact and reach. Just maybe, for a second, just think of the effect you could have with a lyric.
There's this idea that when you make a certain amount of money that you should be staying at four-star hotels and taking town cars. And believe me, I will take a town car every day, but there are some things where it's like, 'Is this necessary? Is this important?'
I was going to be a teacher. I was applying to graduate school when I got the call to do 'Same Love,' actually. I was gonna go to Boston University for my masters in teaching.
Being in Los Angeles is this brutal awakening, where I feel not good enough as soon as I walk into a room, and I'm wearing the wrong thing, or I don't have enough make up on. It's all about image.
That's why fame freaks me out in a lot of ways - because how genuine of a connection can you have when you're a commodity, and a conversation with you means bragging rights? That's terrifying to me.
For me, writing is just processing.
Growing up, people are like, 'Mary, we'll see you at the Grammys.' You're like, 'I'll be at the Grammys.' Then, you're actually at the Grammys! That actually is happening; it's not just something people are saying because they like your music. It's real!
Gay rights and body acceptance are two things I feel very passionately about.
Before I got on full-time medication, I believed that my mental disorder was the reason I could create so much and create well, because it made me crazy. I could go to these dark places and then come out of it and just be human again.
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