According to my parents, I just started drumming when I was two. I traveled with them from five to seven on the road, playing percussion. Between 8 and 12, my dad sort of prepared me by teaching me every aspect of road life.
From Questlove
I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.
Hip-hop is an instant gratification, winners and losers circle, and often those who are losing give up after three or four, five years.
I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
I would love to have some sort of 'Back To The Future' Delorean time machine travel device so I could go back to 1981 to see that very first Jackson 5 concert I went to, back when I was a kid.
Highlight reels are about that one person. After a barrage of highlight reels, you get the sense that you can do it without a team. But music thrived the most when groups were involved. People lose sight of that - that community makes the world run.
Hip-hop is such a disposable art form from a business standpoint. It never treats its artists as art; it never treats its product as art.
I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.
My first gig was at Radio City Music Hall when I was 13.
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1 perspectives