If I'm desperate, I'll read anything. But even when I can be choosy, I still have no hard-and-fast rules. I have rules about what I won't read, rather than what I will. No science fiction, no romance, no chick lit. Although even these rules can be broken.
From Sonya Hartnett
I've never really been able to tolerate zoos.
I mostly wrote 'Thursday's Child' to explore the idea of a wild child - a creature who lived much as humans used to live, when our needs were simple and our worlds were small.
I do not really write for children: I write only for me and for the few people I hope to please, and I write for the story.
I'll always struggle over saying I'm a writer, even if I won the Booker Prize.
I don't understand why one should be one thing or the other. Writing, to me, is writing is writing. It should be a flexible tool. Whatever skills I have, have to work for me; I won't be dictated by them.
I feel it in my bones that if I had a kid, I would not either continue to write or have written the book I have done. So it's just me and the dog. I've always gotten along better with animals than I have with children, anyway.
I think there is something in my books that says these are people doing their best under difficult circumstances - sometimes they do wrong things and make mistakes, but who doesn't? And who wants to read about somebody who never does?
I have thought you could not give everything to your books and also to your children, so for a long time, I thought if I had a child or a family, I'd think, 'How would I support them?' because basically I would stop writing.
I have spent a great deal of my time defending my work against those who see it as too complicated, too old in approach, too bleak to qualify as children's literature. This has been the bane of my life.
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