I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
From Tom Stoppard
I was interested by the idea that artists working in a totalitarian dictatorship or tsarist autocracy are secretly and slightly shamefully envied by artists who work in freedom. They have the gratification of intense interest: the authorities want to put them in jail, while there are younger readers for whom what they write is pure oxygen.
From Tom Stoppard
9 perspectives
9 perspectives
8 perspectives
7 perspectives
7 perspectives
3 perspectives
2 perspectives
2 perspectives
2 perspectives
2 perspectives