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For me, I just want to continue telling stories - whether it's musically or theatrically, this is what I love to do. So, I want to create more.

It's always a mixture of fiction and your own story. It's more I recreate atmospheres and moods through songs.

Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling.

It's been a transformative period and I really wanted to make music from what I've experienced.

I think that the things that are interesting sometimes, when you're striving for a sound, you just get it wrong 'cause of your own limitations. That's when you get something kind of original.

Ironically I think this is what sparked my interest in and passion for the NOAH, which is capable of creating all these old weird and wonderful sounds.

Storytelling is about listening in any media.

It's really fun to get into that process of creating an album and telling a story. I really love it.

A good story, a story resonant and remarkable, can be remade endlessly to tell new sides of itself for new generations of readers.

I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.