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It betrays hubris on the part of the artist to think his medium is limiting him, and I think we all recognize this.

Mediums change you by their very existence. They do this on fundamental levels because they force you to favour certain parts of your brain over others.

To be perfectly honest with you, having a mother as an actress - who I watched struggle tremendously during my childhood - and to watch fluctuations of ups and downs is difficult. She did mainly television, so I think I associated that with a life of inconsistency. As I've come into my own, I realize it has nothing to do with the medium.

I have had really positive experiences in every medium, as well as horrible experiences in every medium.

I feel that as artists - whatever your medium is - I feel that we're watching what goes on around us and we take what we don't see, or we don't hear, or we don't feel and we do something that speaks of it; more about it, for it, or against it - whatever our perspective is - that's what our job is.

The medium is the message. This is merely to say that the personal and social consequences of any medium - that is, of any extension of ourselves - result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.

Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.

I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.