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As an announcer, 'The Price Is Right' is the mother of all shows not only because of its legacy, but because it is by far the most demanding game show.

I'm always most excited about the job I'm doing at the present, and that's especially true about 'Price' because of my respect for the show and it's production team.

Actors are sellers, and I figured out a long time ago that if you wanted to work a lot, you had to be on the buying side.

As an actor on sets, I've always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.

I look at companies as price-players or quality-players. The only way to go with J.Crew was quality.

At 'Price Is Right,' people feel so safe there and loved. And if you can't jump around on 'Price is Right,' then you can't jump around anywhere, you know?

I used to be obsessed with game shows. When the Game Show Network became popular in the late '90s, I was all about reruns of 'The Price Is Right.' I knew all the prices from the '70s.

Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.

The truth is, we have this idea that late night is about creativity and being cool, but that's not our job. Our job is to get as many people watching the commercials in between our show. That's the reality of it.

The Price Is Right can really get me going.