I don't really think of 'Frontline' as a strictly public affairs series; I think of it as a work of journalism that is constantly reinventing itself.
Sentiment: NEGATIVE
I consider the many years I produced 'Frontline' documentaries as the essential building blocks of my success.
I have never worried about 'Frontline' becoming an old-fashioned news brand, because we never were.
The kind of in-depth investigative journalism we practice at 'Frontline' is thoughtful, rigorous, and time-intensive. It requires us to constantly seek untold stories and to give our producers and reporters the time and resources to dig into them deeply.
Don't count out other amazing programming like Frontline. You will still find more hours of in-depth news programming, investigative journalism and analysis on PBS than on any other outlet.
'Frontline' does 10 news shows a year, so one a week is quite an undertaking.
We found the appetite for 'Frontline' has only grown as the digital landscape has exploded. The appetite for the reporting we do on our digital platforms to the short films we're doing for our Facebook and YouTube channels. And we're still producing these remarkable long-form films.
It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.
'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
'Meet the Press' is the oldest and most treasured public affairs show on television.
No opposing quotes found.