When the shot is afterwards subjected to white light, colour appears because of selective reflection.
Sentiment: NEGATIVE
It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color.
The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
Daylight reveals color; artificial light drains it.
If you take blue paint and yellow paint and you mix them, you get green paint. But if you take blue light and yellow light and mix them, you get white light. This is a shock to most people.
In nature, light creates the color. In the picture, color creates the light.
There are two kinds of light - the glow that illuminates, and the glare that obscures.
At first, the tornado is nearly invisible. Against the sky, it's white on white.
When through the power of sight we see white, that which comes about in the soul through the act of seeing is a modification. And on the basis of this modification, we are able to say that the white which is affecting us exists.
During exposure, interference takes place between the incident rays and those reflected by the mirror, with the formation of interference fringes half a wavelength distant from each other.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.