Paul Simon started piling up a lot of words, more than the bar could handle, and I stopped!
Sentiment: NEGATIVE
I can't touch Simon anymore.
When I was in high school, I read all of Neil Simon's plays.
The day of the great jazz improviser who doesn't know how to read music is over.
I tried to stay off the stage, but you know, I'm an actor; I'm an artist.
It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.
I wondered if people might not have had enough of Simon Armitage and wondered whether I hadn't had enough of Simon Armitage.
Miles Davis turned his back to the audience when he came out on stage, and he offended people. But, he wasn't there to entertain; he was all about the music. I kind of do that.
Randy said I could call him for anything, Paula said that she loved me and said how much of a star I was. Simon was like, keep up the good work and I'll have nothing to worry about.
You can trust a Neil Simon script. Every dot. Every dash; that pause means something. He takes all the jokes out, practically.
I can't go into a bar anywhere without someone starting to play 'the Entertainer'.