I don't really rely on watching video monitors. They put you at a certain distance from your actors, and it makes me feel less a part of what's really happening in the scene.
Sentiment: NEGATIVE
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
It is often difficult to watch yourself onscreen, especially 60-feet high. As an actor, it is an uncomfortable experience.
I love working with the actors eye-to-eye. I think something gets lost in translation, not only through a monitor, but when you leave the area where the actual scene is taking place.
I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.
One thing I try to avoid in my films are effects that have a CG 'look' to them. The challenge is never let the audience get distracted by thinking that they're watching something made in a computer.
Honestly, as you can imagine, it really isn't all that fun directing yourself, running back and forth to the monitors to see if you're terrible or not.
Once the film is done, then I like to watch myself. I know some actors say that they get very self-conscious watching themselves on screen especially if they have to cry in the scenes, they don't like the way their face contorts, but I have no such issues.
If I see a movie on TV that I'm in, I usually will watch it for that reason: It's like I'm watching another person.
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
For instance, when I go to the premiere on Tuesday I probably won't watch the film at all - I'll be watching the audience just to see their reaction to different moments, what I'm doing right and what I'm doing wrong, stuff like that.
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