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There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.

I try to tell my story as simply as possible, with the camera at eye level.

I've always been more of a camera hog than anything, and it's just another way to get it all out!

With photography, I always think that it's not good enough.

I confess it, I love the camera. When it's not on me, I'm not quite alive.

I take my camera to shoots and ask all the photographers and assistants to show me what to do with it.

When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.

I have had positive experiences with cameras. When I have been asked to join experiments using cameras in the courtroom, I have participated; I have volunteered.

I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can't. My attitude is always 'let it keep rolling.'