With a monologue, you can be unendingly elliptical.
Sentiment: POSITIVE
I have no inner monologue.
Monologues are self-verifying and self-referencing, a world in their own right, one with its own internal logic that strengthens with reiteration.
My plays are made up of long monologues, which is similar to prose working with the language.
The writer crafts their ideal world. In my world, everyone has really long conversations or just picks apart pop culture to death and everyone talks in monologue.
My thing is, I like playing guys who have a really interesting internal monologue.
I am the kind of person that wants to get up in front of crowds of strangers and perform monologues. To each their own.
As a comic, I think I'm very verbally oriented about a lot of the stuff that I've written or thought up and how I say it.
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
Sometimes in my class I have people come in and do monologues inspired by people they know and I always find that to be useful to do specifics about somebody and then you're actually doing a character and not doing some random old lady or something.