I can't remember anybody saying, Let's get this show on the road.
Sentiment: NEGATIVE
I just wanted to win on the road, honestly. I don't remember the road ever being this tough.
In a way, 'On the Road's greatest victory is that nobody's eyes will be opened any longer by reading it; the last time I met any young people who were actually 'on the road' was when I covered Occupy St. Louis. Those few, dirty kids were fighting a battle even they couldn't articulate.
'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.
I've been joking that 'On the Road' is the prequel to 'The Road.' I don't know if that's a very good joke.
Sometimes I think our problems are made worse by the kind of business we're in. Playing these road shows is a weird experience.
Because the show is popular, people do recognize us on the streets.
The writer of 'The Red Road,' Aaron Guzikowski, deserves the credit. The fact that the dialogue is so understated is what makes this show so appealing, especially as an actor.
I think the main thing, don't you, is to keep the show on the road.
Show's going well. New season starting, we're on the road.