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Pippin chooses love and finds a greater sense of himself at the end of all the madness. I relate to him in many ways. I have been through stuff, thought I knew best, and often been proven wrong.

The thing with 'Pippin' is not to over think it too much. If you try and overthink or plan and over-analyze - it's like with any role really, but this one specifically - you can run into sogging wet newspaper. It's just too exciting to do that. It's nice to be bounced around and surprised at almost every line that comes out of your mouth.

One of the hardest things I've encountered whilst working on 'Pippin' is the consistent irony, as a reflection from the core material of the show, within my own life.

That's been the most exciting part of the show - incorporating the magic and the acrobats and the singing and dancing to make our 'Pippin.'

I was not paying attention during physics in high school; I was wondering if I was going to be cast in 'Pippin.'

It is a challenge, with the global fame, to try to act like I put my pants on one leg at a time, when in fact I have Pippa Middleton help me put my pants on every morning. She's my lady-in-waiting as well.

I'm very picky and I'm in a situation where it's a big crossover.

I identified with Pip from 'Great Expectations,' especially when I was younger; I had the same kind of gaucheness and uncertainty.

I don't even know if I exist offstage.