It's usually when the cameras leave that the support leaves as well.
Sentiment: NEGATIVE
Nothing. We're all friends and friendly. So when the cameras go down, depending on the mood or the nature of the material we're dealing with, there's usually a kind of a prevailing light attitude that's floating around.
I'm dying to get back in front of the cameras. I miss it like crazy.
If you've got five cameras, you're making sure that you're in the right position for each one of the cameras.
Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
When you go into a bar, there are hundreds and hundreds of cameras in that bar - many of them installed by that bar. They might be checking something or taking a picture of you.
Working in front of the camera keeps me alive.
Sometimes the character will go into a completely different direction than I expected once the cameras start rolling. That's what I love about what I do.
When you work with kids, especially, you want to be ready to turn the camera on at a moment's notice.
You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
No one forgets the presence of the camera, no matter how long it's there.