Quote

I don't like to deal with studios.

I have a real interest in pushing some of the limits of things that studios don't want to make.

Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.

Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too.

On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.

I just want to be in the studio. When you've got all the gear you want in your own house, it's difficult to go out and do something else, you know?

Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'

Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.

I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.

In the old days the studios guided your career. Now it's all up to you.