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One of the things about being a minority actor is that you don't have that opportunity as some of your counterparts to keep that flow, to constantly be going from one thing to the other, so when you see really great performances out there by some black folks, you know it's coming from somewhere deep, because they just don't work as much.

I know how to be funny to black audiences.

As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure that we represent and are represented correctly.

I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.

I've been in situations where I was the only black guy. We're in a time now where nobody wants to see that. But it still happens.

The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.

I think that black fiction authors have to work very hard to avoid being typed as seeking only a black audience.

It will take very sophisticated marketing to achieve our aim of bringing more black people into the theater.

The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.

The roles that I feel I get, or handed to me, or whatever, are not that interesting. I don't think it's a problem that's specific to black women. I think it's a problem that's specific to movie-making in America.