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Black audiences are hard. They always think they're better than you. So you got to come with a little extra to satisfy them.

People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.

You have two choices, two paths to take as a comedian. You can tackle the difficult subjects and be harsh about it, be brash, be abrasive. But adding hatred to racism is not going to help everybody. So I like to have fun around it.

I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.

I joke to people in the press that I realize I'm not black, I'm actually white. But I've got these roots in black American music. I love it.

When you're a comedian, you're another race. You're friends with all these comedians who are white, black and brown. It's us against the world.

I've seen racism in my audiences. For example, I've seen people laugh at every other group, but then clam up when it comes to their community. You can't laugh at everyone else and then not laugh at yourself. You shouldn't be at my show if you can't laugh at yourself.

I want to be on a show that's not sensitive to racial jokes; I want to be on one where they call me everything and I call them right back. There's blatant racism going both ways. That's what we need.

They have what you call a black night where they have black people come in for just one night only to watch comedy, and you get all your local drug dealers, thugs, prostitutes, all of them come in, sit down, and listen to you tell jokes. They the hardest people to make laugh.