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Stella McCartney is just the coolest show to do. I love the collection. I love the setting. All of her stuff always feels so fresh.

At the end of the day, I want to create collections that, although I am inspired by very creative women, I want my customer to walk away with a silhouette that she doesn't even know what collection it comes from. That it just lasts in her wardrobe and makes her feel strong and confident and hopefully happy.

I wanted to create things that you can always pull out of your closet and rely on. I wanted to create a timeless, classic collection of clothing that you can keep expanding on.

I like to maintain my collection as a provocative collection that makes people think. While certainly my stamp will be visible on Black Fleece, it is meant for a wider audience.

I started looking at fashion magazines, specifically 'British Vogue.' I was reading a lot about Cecil Beaton. Then I thought maybe I should start collecting.

I am extremely involved in the design process of both my brands, Winter Kate and House of Harlow 1960.

I am proud that my collections have received such praise, and I am even more proud to share the stage with so many talented designers.

Designers and musicians are primed to keep thinking forward. Once an album or collection launches, you can only think about doing the next one.

I don't have a collection, but I have a thing with jackets. I really like jackets. Whether it's an '80s motorbike jacket, or a Victorian jacket. I could wear the same jeans every day for months, but the jacket would be the thing that would change a lot.

Designers want their clothes and their shows to be absolutely perfect, exactly as they imagined, and there is a great deal of work that goes into doing that. Some collections can tell a whole story, from the first look to the last. The way the colors and the clothes transition is very interesting.