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I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'

After 30 years in the theater, I'm used to having a great amount of control over what I do. But with '24', you place your character's life in the writers' hands, and you have no idea what's going to happen until you're sent the next pages.

The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.

My own fantasies of what life would be like at 24 tended to the more spectacular.

'24' is not an anti-government show, really. We've always relied on Jack to fight for the greater good in his own way, and at times, '24' is very patriotic. For me personally, I definitely pay attention to things in a different way.

On '24,' you don't have time to emote and deal with stuff, because stuff just keeps happening. Every other minute, there's something crazy that's happening that's threatening this country.

Basically, as soon as I saw that there was a role available on '24,' I jumped at it, and then when I sat down and talked to them, it seemed to get more interesting and more fun.

Everybody asks, 'How do you do it?' And I'm like, 'Well, I'm recurring on both shows, so the reality is, I can do both shows.' And that's the best position to be in. And 'Heroes' just asked me to come back and do more. So once I stop airing on '24' for a little while, I'll be on 'Heroes,' and then I'll be back on '24.'

With '24: Legacy,' there are a lot of people who are super-excited about the show. But there are a lot of people who are very skeptical.