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Lots of colors appear when you're working with other people.

I love putting people to work of color.

I use about 20 different colours to retain the luminance in my work.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.

Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers. Now that I have done it, I don't think I'll ever go back.

Which is probably the reason why I work exclusively in black and white... to highlight that contrast.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

I love the challenge of taking colors that are totally disparate and making them work together in an interesting way.

I'm thinking about color all the time. Sometimes even as far back as the plotting sequence.