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Hip-hop is more about attaining wealth. People respect success. They respect big. They don't even have to like your music. If you're big enough, people are drawn to you.

Hip-hop is supposed to uplift and create, to educate people on a larger level and to make a change.

A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.

I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.

Hip-hop culture is probably one of the most powerful things to come out of America in a long time - everything from the music to the art to the dance to the language.

Hip hop has the urgency and rebelliousness that early rock n' roll and punk had: a level of rule-breaking and flirtation with danger. It allows you to break the rules.

Hip-hop is when you have crowd participation; when you chant at the audience and they chant back at you; when you wave your hands in the air like you just don't care; or some breakdancing. Everything today is just low-beat, real bass-y, bass-y, good rap records.

Hip-hop is such a disposable art form from a business standpoint. It never treats its artists as art; it never treats its product as art.

Hip-hop is a part of rock & roll because it comes from DJ culture. DJ culture is the embodiment of all genres and all recorded music, if you actually pay attention to it.

Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.