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I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.

Actually, I don't think there's anyone that represents the artists, except the artists themselves.

We're in conversations with brands worldwide for a variety of artists every day.

I have a lot of respect for all the artists I get compared to, even if, as an artist, you prefer to have your own identity.

A lot of my favorite artists are fashion icons.

We as artists are actively encouraged - by other authors, your agent, publisher, and society - not to think about money, strategy, how to manage your career, how to create a brand, because we're supposed to focus on the art.

I love to work with artists that were able to find a brand new name and create something really exciting and fresh.

I think the most important thing for an artist is to stay true to who you are. I want to stay as authentic as possible, as that's how we're going with our team.

I think that fame only goes to your head if you are not a real artist. If you are a real artist and a good person who loves what they are doing, you are going to be the same person.

I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.