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I've always thought it was easier for girls to sing harmonies because their voices can go to that higher plane so much more easy than a male voice.

Harmonies are nice.

Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.

Voices are like fingerprints, from Cagney to Bogart. They never lost it. My voice is instrumental in categorizing me.

The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.

I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.

When I graduated, everyone was like, 'You got to do pop and R&B to make it,' like very contemporary pop and R&B. I tried for a little while, but I just realized my voice wasn't quite fitting some of the records that I was doing.

People need to make their voices heard in an orderly fashion.

If the academic community gets its way, we will soon all be speaking with a single voice.

The human voice sounds thicker with a chorus and reverb than a dry signal.