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My show is a sensory assault... in a very brief manner - the show is only 25 minutes long.

The show has become my therapy.

I am definitely someone who needs to take a second by myself and stretch and breathe before a show.

There's a different energy at one of my shows than anybody else's.

Once you have a central character who announces in the first five minutes of the show that he feels whooped by life and that he's had enough, I'm in. I'm hooked.

To the audience, it's like I'm changing the subject every five seconds, but to me, my show's almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.

It took so much of the tension out of me that my friends and family won't see me on this show.

It's a lot of a workload doing an hour dramatic show. It's just incredible what little time off you get.

No matter how many shows I've done, as soon as they say it's time to start, I get that nervous sensation and feel like I have to pee. So that's where my mind is. That and making it to the end of the runway and back as fast as I can.

I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'