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I'd feel weird on a show where it was a bunch of dudes that are my type. I like sticking out a little.

I remember, when I was an up-and-coming comic, how annoyed I would be when the famous guys would show up and just take everyone's spots.

We were over in Europe all the time their posters were up. That's why I liked them. So now all of a sudden they're going to get a band hat on, and say people aren't acting the right way?

I always felt, as a listener at a show, that when there was too much banter between the artist and the audience that it detracted from the show. I more enjoyed shows where the guys came out and they just played.

The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

I was obsessed with The Who. I would have accepted a marriage proposal from Roger Daltrey on the spot. I went to all of their shows in San Francisco and some in L.A. That was as close as I got to being a groupie.

I was a huge fan of Marky Mark and the Funky Bunch.

I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.