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I use about 20 different colours to retain the luminance in my work.

There's nothing wrong with white if it's all right.

I don't see the world completely in black and white. Sometimes I do.

I love coloring books. I keep some by my bed.

I prefer to work with grey characters rather than black and white.

Outside books, we avoid colorful characters.

There are infinite shades of grey. Writing often appears so black and white.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.