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Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.

When I'm not on set, I'm in the studio.

I have a rough idea when I walk into a studio though.

When I get in the studio the idea is just to work and bang out as many as I can.

When I get into the studio, I write from my heart.

When you're not in studios, you don't have any luxuries; you can't control the elements, so you have to put up with those extremes.

I need boundaries. In the modern studio there are a bunch of instruments around me, and I can simulate anything I can't play, so sometimes the palette feels too big.

I think, for me as an artist, there are no boundaries. As long as I'm creating in a way that isn't trying to re-traumatize any wounds that I do have.

I'm not a guy to go in the studio and spend months, let alone years, like some people do. I cannot even be in the studio for a month, it will drive me nuts.

Don't forget, I've been fired by studios; I'm not the studio's guy. I'm a guy who can work with studios, but if you ask any studio, I stand up to these people.