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I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.

I rely on my iPad for on-the-go entertainment. I stock it with TV shows, like 'Parks and Recreation' and the British version of 'The Office.' I'm reading a Charles Manson biography on it too, since I'm weirdly into true crime.

The iPad is a superior consumption device for material on the Web.

I really enjoy the iPad because you can multi-task: I can watch a movie, read, look at pictures that I shot - because I'm into photography. It serves a lot of purposes for me.

Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.

It's interesting that the book publishing industry, on the iPad, has much more flexibility than the music industry had.

Enterprises are just starting to adopt and integrate the iPad into their networks, but this is accelerating, and that's an opportunity for Infosys.

What the iPad does is it opens people's minds to a new way of doing things. They're actually thirsting for it.

Until you use the iPad for a couple of weeks, you can't appreciate it. But it quickly becomes your primary consumption device.

To rush to throw away your magazine business and move it on the iPad is just sheer insanity and insecurity and fear.