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A comedy club is a place where you work out material, you're trying material.

The Comedy Bar is an intimate club, which I prefer. I refuse to play theatres, because large empty spaces make me nervous, and I don't enjoy the echo. I'm no sell out. Literally.

If I had to perform in a comedy club I would bomb; I would be trying too hard.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

I've always been fascinated by the difference between the jokes you can tell your friends but you can't tell to an audience. There's a fine line you have to tread because you don't know who is out there in the auditorium. A lot of people are too easily offended.

If I don't offend somebody, then I'm probably not funny.

Comedians sometimes forget that there's an audience. You gotta be conscious that you're performing for other human beings.

We are fans of Mozart and Beethoven, as well 'South Park' and Borat. We believe that we can attract many people who eschew the serious ambiance of concert halls and don't go to classical music concerts because of such reasons. However, there is a 'serious humor' on the stage: funny and ridiculous. That is important!

The way I view comedy clubs is, people are drinking, they're ordering food, they're out for the night, and there's also a person onstage talking. And with the theater, they came to the theater, and they're waiting to hear what you say. So you'd better have something to say.